简介： Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop? Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
6.0 雪琳·芬/凯西·莫拉蒂/尼古拉斯·特图罗/布莱恩·奥哈罗兰/蕾切尔·亨德里克斯/劳伦斯·希尔顿-雅各布斯/艾伦·鲍威尔/欧拉·蕾/加里·帕斯托雷/Jaqueline Siegel/Nathan Clarkson/杰米·约翰·韦尔斯/Spencer T. Folmar/Jordan Fitzsimmons/Pat Romano Jr./
7.0 Kozure Ôkami: Kowokashi udekashi tsukamatsuru/Lone Wolf and Cub: Child and Expertise for Rent/Lone Wolf and Cub: Sword of Vengeance/Sword of Vengeance I/Okami - Das Schwert der Rache/Baby Cart: le sabre de la vengeance/带子雄狼：决战柳生/带子雄狼：出租小孩和武艺/
10.0 Kozure Ôkami: Jigoku e ikuzo! Daigoro/Baby Cart 6/Sword of Vengeance VI/Baby Cart 6: Go to Hell/ Daigoro!/Jigoku e ikuzo! Daigoro/Lone Wolf and Cub: White Heaven in Hell/带子雄狼/地狱之行！大五郎！/带子雄狼：雪原生死道/
8.0 Kozure Ôkami: Sanzu no kawa no ubaguruma/Sword of Vengeance/ Part II/Baby Cart 2/Lone Wolf and Cub: Baby Cart at the River Styx/Lone Wolf and Cub: Perambulator of the River of Sanzu/带子雄狼：沙漠大厮杀/
10.0 Kozure Ôkami: Meifumando/Baby Cart 5/Sword of Vengeance V/Baby Cart at the River Styx/Baby Cart in the Land of Demons/Crossroads to Hell/Lone Wolf and Cub: Baby Cart in Land of Demons/
